"The Da Vinci Code," Ron Howard's adaptation of Dan Brown's best-selling primer on how not to write an English sentence, arrives trailing more than its share of theological and historical disputation. Recent history - "The Passion of the Christ," "The Chronicles of Narnia" - suggests that such controversy, especially if religion is involved, can be very good business. CANNES, France, May 17 - It seems you can't open a movie these days without provoking some kind of culture war skirmish, at least in the conflict-hungry media.
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